Thursday, 27 September 2012

The Three "Godfathers" of Animation

The three "godfathers" of animation are George Méliès, Winsor McCay and Lotte Reiniger. They were pioneers in animation and film and without them, we would not have anything like film and animation as we know today.



George Méliès, born in December 1861, was a French illusionist and filmmaker. He started his career as a magician and then, when filming, he accidently discovered the substitution stop trick in 1896 when the spring in his camera broke, and he had to fix it. When he watched it back, he could see that from the time he stopped filming to fix the spring, to filming starting again, the objects had moved and it looked as though some had disappeared. He experimented with this and created several films, 531 in fact, from 1896 and 1913. His most famous film is "A Trip to the Moon" (shown below), which was made in 1902. He also used painted backdrops instead of proper sets, which made the film cheaper to make, and also effective to watch.


Winsor McCay is the second "godfather" of animation. He was born in 1869 and was an American cartoonist and animator. He is best known for "Little Nemo" which he created in 1905, and "Gertie the Dinosaur," 1914 (for a video of Gertie, please see below). He was a prolific artist who pioneered animation. He set a standard followed by the likes of Walt Disney, and his comic strip work has influenced generations of artists and animators. 




Charlotte "Lotte" Reiniger was born in 1899 in Germany, but later became a British citizen. She was a master of cut-out animation and was also a film director. As a child, she fell in love with cinema, she particularly loved those of George Méliès (above).  Below is her silhouette animation of Hansel and Gretel from 1955.


Thursday, 20 September 2012

Persistence of Vision and the Zoetrope

Persistence of vision means that when we see a series of images together, that are subtly different, our brain relates the previous image to the current one and relates them to one another, so we see them as them as a moving picture - a video.

A form of early animation, which used the theory of persistence of vision, was the Zoetrope. To see the images, you had to look through one of the slits on the side, and when spun, the inside images would move and it would look as if they were moving.

Here is an example from YouTube: